Bhumi Joshi.

સત્સંગ "Practise of divinity and having divinity is different things." Satsang is " A traditional activitiy in the indian spiritual context , meaning is "being with good/rightrous companies."  Satsang has many contextual meanings. Here,I would like to share the experience of one the Satsangs in which people are singing 'devotional songs' of great characters to whom we adore as God like ......Rama, Krishna, Shiva, Radha, Draupadi, Mira, Shabari, Shravan, Ahlya and many more..... Satsangs can generate powerful, cleansing, inspiring and purifying thought vibrations which can uplift the people who participatein them and also sanctify the place in which it is organised. Many devotional songs which sugget the moral values, ethics, servitude, virtues, the way of living life, truth , honesty and much more things like.....#સંતાન થઈને સેવા કરજો માં બાપ છે ભગવાન, #કાયમ નથી રેહવાનું મહેમાન છો પ્રભુના , #વાહ વાહ રે દુનિયા મતલબની, #હારે એકદિન જાવું પડશે

                                                                       Waiting  "A waiting that had no solution except keeping on Waiting." I feel the effect of existential crisis or meaningless of human existence in the irrational and indifference in both -Movie 'Waiting 2016' and in the play -'Waiting for Godot'. Existentialists deals  with such subjects like...Death, the  meaning of the human existence, the place of God in human existence , the  meaning of value , interpersonal  relationship, the place of self -reflective conscious knowledge of  one's self in existing. What makes difference in between movie and play "Nothing" and Nothing becomes the part of it. 'Waiting' written and directed by Anu Menon.Produced by Priti Gupta and Manish Mundra. The movie has the core of 'Ceaseless Waiting' as Samuel Backett depicted in the play "Waiting for Godot".  Two main characters are important from both the

અનુભવોનું અકળ પાત્ર - અખેપાતર Bindu Bhatt is well known Gujarati writer. 'Akhepatar' (1999) have awarded the 'Sahitya Akademi Award' for the 2003. Novel has the  female  protagonist Kanchanba.  આમ તો આખીયે વાત કાંચનબા ના જીવન ની જ છે ને તેમ છતાંય એમાં ઘણું છે જે એક સ્ત્રી ને જ નહીં આખાય માનવજગત ને લાગું પડે છે.  Chandrakant Topiwala said that...... "સામાજીક ચેતનાની આધારભુત ભારત ના ભગલાંના વિષયની છે ને તેમછતા ભારતના વિભાજન કરતા એ વિભાજન ને કારણે પાત્રોની બદલાતી આવતી નિયતિ નિરૂપનનો વિષય છે."  કંચનબા ની પીડા,દુઃખો ને વેદના ને   ભુતકાળ માંથી એ વર્તમાન ને  નવો અર્થ આપે છે. This is story of journey not only from Outside but the most necessary from the 'inside' also. નવલકથા માં કંચન થી લઇને કાંચનબા સુધી ની સફર છે. After the partion of IIndia & Pakistan, People are suffering from agony. They  hate their own disgustful life. Many people lost their family members and family is broken down. And Kanchnba is one of them. Kan